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Matt Allard shoots S-Log2 and talks about Sony FS700 4K upgrade on the Need...

By technical editor Matt Allard: I recently got the chance to test out the FS700 4K upgrade while I was in Hong Kong. It is a hardware not firmware upgrade, so you need to send your FS700 to a Sony...

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Apple updates Final Cut Pro X to 10.2

By contributing editor Chuck Fadely Apple announced today a 10.2 update to FCPX with 3D titles and support for Red Raw footage. You can create 3D animated titles in Motion: “Instantly open any title in...

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Sony announce AXS-R7 RAW recorder for F55 – does 4K RAW at 120fps, plus cache...

Sony have just announced a new RAW recorder for their F55 and F5 cinema cameras. The AXS-R7 RAW recorder is similar to the current AXS-R5, but adds higher frame rate…

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Hands-on with the DJI Osmo X5R: great pictures come at a price

DJI lent us an Osmo X5R, which is a Raw-shooting, interchangeable-lens version of the handheld Osmo gimbal camera I’ve owned for a while now. The X5R takes Micro 4/3 lenses instead…

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RED starts shipping the EPIC-W and the WEAPON 8K S35

RED has started shipping two new cameras, the EPIC-W and the WEAPON 8K S35. We have previously seen the RED DRAGON 8K VV and HELIUM 8K Super 35mm released in…

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Review: Atomos Shogun Inferno takes HDR mainstream

The Shogun Inferno is the latest monitor/recorder from Atomos. The Inferno features an HDR, high resolution, high brightness monitor, along with the ability to record high frame rates and RAW…

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Blackmagic Design announces the URSA Mini Pro with built in ND filters and...

Blackmagic Design have today announced the URSA Mini Pro, a new camera which takes a lot of the existing technology from the URSA Mini 4.6K and improves on it. The… The post Blackmagic Design announces...

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Why shoot RAW?

Why shoot RAW? It’s a surprisingly common question. Surprising, because of how much everybody seems to talk about RAW now – but also how rarely we stop and consider what it… The post Why shoot RAW?...

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The Gods of Fire – 2K/240fps RAW recording on the Panasonic VariCam LT and...

With Convergent Design version 2017.06 firmware now supporting 2K/240fps RAW recording on the Panasonic Varicam LT, I thought I would be a good idea to go out and shoot some… The post The Gods of Fire...

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The AMIRA gets ARRIRAW via Paid License Key

ARRI has just officially announced that ARRIRAW is now available for the AMIRA. This update gives Amira users the ability to capture in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording… The post...

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HDR Demystified – Zacuto Livestream with Canon, Dolby & Flanders Scientific.

Still unsure what HDR is or how it fits into the workflow with RAW?  Zacuto’s upcoming Live episode will answer all of these questions and more with a panel of… The post HDR Demystified – Zacuto...

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Blackmagic Pocket Cinema Camera 4K High Speed Tests –‘Mountain Bike’

We can’t embed the video so you’ll have to head over to the youtube page to watch the footage. Blackmagic Design has released more footage, this time focussing on the… The post Blackmagic Pocket Cinema...

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Blackmagic RAW announced

Blackmagic has announced Blackmagic RAW, a brand new RAW codec that moves part of the de-mosaic processing from the computer’s CPU into the camera itself. Blackmagic claim that by doing this… The post...

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Kinefinity MAVO Hands-on Camera Review

UPDATE: Since posting the review we’ve been advised by Kinefinity that the camera supplied was a pre-production/demo unit and (in their opinion) the production model of the MAVO should not… The post...

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Apple’s RED RAW patent challenge dismissed by US patent Office

RED has withstood Apple’s challenge on their REDCODE patents. The UNITED STATES PATENT AND TRADEMARK OFFICE issued a ruling on the 8th November. For those not in the know, Apple was challenging RED’s...

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Kinefinity MAVO LF Review

The Kinefinity MAVO LF is one only a handful of cameras that can shoot full-frame 6K. I have previously reviewed the S35 MAVO on the site, but I was keen to see how its bigger brother, the MAVO LF...

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Sony Ci now creates web-viewable proxies for Sony RAW & X-OCN files

Sony’s Ci software now automatically creates web-viewable proxies for Sony RAW and X-OCN files so users can safely upload and store source footage and have them readily available for preview instantly....

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Blackmagic Design Video Assist 5″/7″ 12G HDR get Blackmagic RAW recording

Today, Blackmagic Design released Video Assist 3.1 which added Blackmagic RAW recording to the Video Assist 5″ 12G HDR & Video Assist 7″ 12G HDR monitors when using the Panasonic EVA-1 or Canon EOS...

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Panasonic S1H goes RAW

Panasonic has just announced that its S1H now has the ability to output a RAW signal that can be recorded on a compatible Atomos recorder in ProRes RAW. The S1H can now output a 5.9K RAW signal at up...

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Panasonic S1H & Atomos Ninja V ProRes RAW Recording First Impressions

A few weeks ago Panasonic announced that its S1H now has the ability to output a RAW signal that can be recorded to the Atomos Ninja V in ProRes RAW. The S1H can output a 5.9K RAW signal at up 30p to...

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